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TOP 3 LYRICS
3 Fergie


Diana Krall


Let's Fall In Love (When I Look In Your Eyes)

I have a feeling, it's a feeling,
I'm concealing, I don't know why
It's just a mental, sentimental alibi

But I adore you
So strong for you
Why go on stalling
I am falling
Our love is calling
Why be shy?

Let's fall in love
Why shouldn't we fall in love?
Our hearts are made of it
Let's take a chance
Why be afraid of it

Let's close our eyes and make our own paradise
Little we know of it, still we can try
To make a go of it

We might have been meant for each other
To be or not be
Let our hearts discover

Let's fall in love
Why shouldn't we fall in love
Now is the time for it, while we are young
Let's fall in love

We might have been meant for each other
To be or not be
Let our hearts discover

Let's fall in love
Why shouldn't we fall in love?
Now is the time for it, while we are young
Let's fall in love (4x)
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Features

Diana Krall:

Diana Krall: "The Very Best"


The word "chanteuse" may have been coined for Canada's Krall, who has emerged as one of the preeminent jazz voices of our era--mostly by her mastery of a bygone one. On "The Very Best," the singer slinks and sashays through more than a decade's worth of reinvigorated standards.
Live from Studio C: Josh Rouse

Live from Studio C: Josh Rouse


Seventies rock-inspired ladies' man Josh Rouse found a few minutes out of his busy tour schedule to stop by Studio C. He treated us to solo acoustic versions of "Hollywood Bass Player" and "Sweetie" from his latest album, Country Mouse City House.
James Blunt

James Blunt


While some guys try to impress girls with lines like "I didn't know angels flew so low," James Blunt simply sings "you're beautiful." That genius pick-up line scored him supermodel Petra Nemcova and turned him into a rock star overnight. His latest, "All the Lost Souls," continues with the romance.
Pink Floyd

Pink Floyd


Before Pink Floyd became '70s prog-rock heroes, they were Swingin' London's most interesting psychedelic pop group. Newly reissued with a CD of bonus tracks, the Syd Barrett-led "Piper," their debut, still stuns like it did then: as the most darkly grown-up children's lullabies anyone's ever heard.

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